Diane Keaton's photobooth strips, which sold for a substantial amount at auction, reveal a photographer's eye and a unique approach to photography. The article explores the significance of these strips, comparing them to David Hockney's joiners and highlighting Keaton's understanding of framing, sequence, and timing. It emphasizes her instinctive use of the photobooth as a tool, rather than a mere pastime, and her ability to capture genuine interest in the least promising circumstances. The auction results, including high multipliers for her black and white photographs and color prints, demonstrate the market's appreciation for her creative work, which consistently outperformed fashion pieces with famous names attached. The photobooth strips, in particular, showcase her modesty and skill, making them a testament to her photographer's eye and a fascinating insight into her artistic process.
